2021 | Millet, Catherine, L’Art Contemporain: Histoire et Géographie, Paris, France: Flammarion |
2020 | Moszynska, Anna, World of Art: Abstract Art, London, UK: Thames & Hudson Ltd |
Reason Gives No Answers: Selected Works from the Collection (exhibition catalogue), text by William S.Burroughs, London, UK: Other Criteria Books | |
2018 | Fiona Rae (exhibition catalogue), text by Gilda Williams, Seoul, Korea: Hakgojae Cheongdam |
Content is a Glimpse (exhibition catalogue), text by Jurriaan Benschop, Berlin, Germany: Efremidis Gallery | |
Cahill, James, Ways of Being: Advice for Artists by Artists, London, UK: Laurence King Publishing Ltd | |
250th Summer Exhibition Illustrated 2018 (exhibition catalogue), edited by Grayson Perry, London, UK: Royal Academy of Arts | |
2017 | Marr, Andrew, A Short Book about Painting, London, UK: Quadrille Publishing Ltd |
Summer Exhibition Illustrated 2017: A Selection from the 249th Summer Exhibition, (exhibition catalogue), text by Richard Davey, London, UK: Royal Academy of Arts | |
2016 | Fiona Rae (exhibition catalogue), text by André Buchmann, Berlin, Germany: Buchmann Galerie |
Summer Exhibition Illustrated 2016: A Selection from the 248th Summer Exhibition (exhibition catalogue), edited by Richard Wilson, London, UK: Royal Academy of Arts | |
Fullerton, Elizabeth, Artrage! The Story of the Britart Revolution, London, UK: Thames & Hudson | |
Getlein, Mark, Living with Art, Eleventh Edition, USA: McGraw Hill | |
Sayre, Henry M., A World of Art, Eighth Edition, Oregon State University-Cascades Campus, USA: Prentice Hall | |
Hickey, Dave, 25 Women: Essays on their Art, Chicago, USA: The University of Chicago Press | |
2015 | Summer Exhibition Illustrated 2015: A Selection from the 247th Summer Exhibition (exhibition catalogue), text by Richard Davey, London, UK: Royal Academy of Arts |
Fiona Rae (exhibition catalogue), interview by Martin Herbert, London, UK: Timothy Taylor Gallery | |
Imagining a University: Fifty Years of the University of Warwick Art Collection (exhibition catalogue), texts by Liz Dooley, Eleanor Nairne, Alan Powers, Sara Selwood, Sarah Shalgosky and Beth Williamson, Warwick, UK: Mead Gallery | |
2014 | Rutka, Fiona and Maureen Cross, The Making of Fiona Rae, RA: In Conversation with a Young British Artist. Immediations, Vol.3 No.3, London, UK: The Courtauld Institute of Art |
Williams, Gilda, How to Write About Contemporary Art, (exhibition catalogue) London, UK: Thames & Hudson | |
(detail) (exhibition catalogue), essays by Andrew Bracey, Simón Granell, Brian Curtin, James Elkins, David Ryan, London, UK: Transition Editions | |
Here Today… (exhibition catalogue), essay and artist texts by Dr. Alison Bracker, London, UK: Artwise Curators | |
As I run and run, happiness comes closer (exhibition catalogue), foreword by Angélique Aubert, text by Jérôme Sans, interview with Fiona Rae, Paris, France: Emerige | |
Between Worlds (exhibition catalogue), text by Jane Neal, Mumbai, India: Galerie Isa | |
Within/Beyond Borders: The Collection of the European Investment Bank at Banco de Portugal (exhibition catalogue), text by Delphine Munro, Lisbon, Portugal: Banco de Portugal | |
Painter, Painter: Dan Perfect, Fiona Rae (exhibition catalogue), texts by Martin Herbert, introduction by Tristram Aver, Nottingham, UK: Nottingham City Museums & Galleries | |
Frieze Art Fair, London 2014, text by Martin Herbert, London, UK: Frieze | |
Prelude #1: Morceaux choisis d’une collection par Laurent Dumas, interview with Laurent Dumas by Marie Maerten, Paris, France: ADAGP | |
Roles, John, Leeds Museums and Galleries: Director’s Choice, London, UK: Scala | |
Summer Exhibition Illustrated 2014: A Selection from the 246th Summer Exhibition (exhibition catalogue), text by Richard Cork, London, UK: Royal Academy of Arts | |
2013 | Donation Florence et Daniel Guerlain – Dessins Contemporains (exhibition catalogue), texts by Jonas Storsve, Antonio Mirabile and Julien Brochier, foreword by Alain Seban, preface by Alfred Pacquement, Centre Pompidou, Paris, France: Editions du Centre Pompidou |
Encounter: The Royal Academy in the Middle East, (exhibition catalogue), texts by David Thorp, Dr Kathy Battista and Sa’id Costa, London, UK: Royal Academy of Arts | |
Getlein, Mark, Living with Art, Tenth Edition, USA: McGraw Hill | |
Crowther, Paul, Phenomenologies of Art and Vision: A Post-Analytic Turn, London, UK: Bloomsbury Academic | |
Corwin, William, Prophetic Diagrams (online exhibition catalogue), London, UK: George and Jørgen | |
2012 | Arnason, H. Harvard, and Elizabeth Mansfield, History of Modern Art: Painting, Sculpture, Architecture, Photography, 7th ed. London, UK: Laurence King Publishing Ltd. |
Encounter: The Royal Academy in Asia (exhibition catalogue), Texts by David Thorp and Dr Charles Merewether, London, UK: Royal Academy of Arts | |
Meanings of Abstract Art, Between Nature and Theory, edited by Paul Crowther and Isabel Wünsche, London, UK: Routledge | |
Frieze Art Fair, London 2012, text by Sally O’Reilly, London, UK: Frieze | |
RA Now (exhibition catalogue), text by Mel Gooding, introduction by Christopher Le Brun, London, UK: Royal Academy of Arts | |
Sayre, Henry M., A World of Art, Sixth Edition, Oregon State University-Cascades Campus, USA: Prentice Hall | |
Sanctuary: Britainʼs Artists and their Studios, texts by Hossein Amirsadeghi, Iwona Blazwick, Richard Cork and Tom Morton, London, UK: TransGlobe Publishing | |
Stiles, Kristine and Peter Selz, Theories and Documents of Contemporary Art. A Sourcebook of Artists’ Writings, Second Edition, Berkeley and Los Angeles, USA: University of California Press | |
London Twelve (exhibition catalogue), texts by Toby Clarke and Olga Malá, Prague, Czech Republic: City Gallery Prague | |
Fiona Rae: Maybe you can live on the moon in the next century (exhibition catalogue), text by Gilda Williams, introduction by Sarah Brown, Leeds, UK: Leeds Museums and Galleries | |
Summer Exhibition Illustrated 2012: A Selection from the 244th Summer Exhibition (exhibition catalogue), text by Tess Jaray, London, UK: Royal Academy of Arts | |
2011 | American and European Painting from the Marx Collection (exhibition catalogue), texts by Eugen Blume, Lena Hennewig, Lech Karwowski, Magdalena Lewoc, Erich Marx and Katharina Schlüter, Szczecin, Poland: National Museum in Szczecin |
Making a Scene (exhibition catalogue), text by Eleanor Nairne, Southampton, UK: Southampton City Art Gallery | |
Colección de Pintura Contemporánea Internacional (exhibition catalogue), texts by José María Arias Mosquera, David Barro and María de Corral, A Coruña, Spain: Fundación Barrié | |
Within/Beyond Borders (exhibition catalogue), text by Delphine Munro, Athens, Greece: Byzantine and Christian Museum, Athens | |
Between Film and Art – Storyboards from Hitchcock to Spielberg (exhibition catalogue), texts by Katharina Henkel, Kristina Jaspers, Peter Mänz, Andreas C. Knigge, Lena Nievers and Nils Ohlsen, Emden, Germany: Kunsthalle Emden | |
Fiona Rae (exhibition catalogue), interview by Dan Perfect, Berlin, Germany: Buchmann Galerie | |
Royal Academy Illustrated 2011: A Selection from the 243rd Summer Exhibition (exhibition catalogue), text by Richard Cork, London, UK: Royal Academy of Arts | |
Paintings: Documents of Contemporary Art, edited by Terry R. Myers, London, UK and Cambridge, Massachusetts, USA: Whitechapel Gallery and The MIT Press | |
2010 | Pooke, Grant, Contemporary British Art: An Introduction, London, UK: Routledge, 2010. |
Pooke, Grant and Whitham, Graham, Understand Contemporary Art, London, UK: Hodder Education, 2010. | |
Barret, Terry, Making Art: Form and Meaning, New York, USA: McGraw-Hill Publishers, 2010. | |
Cohen, Stewart. Identity: A Photographic Meditation from the Inside Out. Dallas: Dream Editions Press, 2010. | |
Fiona Rae: Special Fear! (exhibition catalogue), text by Marc Glimcher. New York: PaceWildenstein, 2010. | |
Art: Curated by Michael Craig-Martin (exhibition catalogue), text by Michael Craig-Martin. Berlin: Galerie Haas & Fuchs, 2010: illustrated. | |
50 Years at Pace (exhibition catalogue), texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated. | |
Royal Academy Illustrated 2010: A Selection from the 242nd Summer Exhibition (exhibition catalogue), texts by Stephen Chambers and Richard Cork. London: Royal Academy of Arts, 2010. | |
2009 | Ardenne, Paul, Art, Le Présent: La Création Plasticienne au Tournant du XXIe Siècle, Paris, France: Éditions du Regard |
Fiona Rae: As I run and run, happiness comes closer (exhibition catalogue), text by Nicolas Bourriaud. Paris: Galerie Nathalie Obadia, 2009. | |
History of Modern Art, Sixth Edition, texts by H.H Arnason and Elizabeth C. Mansfield, New York, USA: Pearson | |
Godfrey, Tony. Painting Today. London: Phaidon Press Limited, 2009. | |
Muir, Gregor. Lucky Kunst: The Rise and Fall of Young British Art. London: Aurum Press Limited, 2009:19,22, 47, 236. | |
Plastic Culture: Legacies of Pop 1986–2008 (exhibition catalogue), texts by Roger Cook and Richard Kirwan. England: Harris Museum and Art Gallery, 2009. | |
Townsend, Joanna, ed. Glyndebourne Festival Opera: 75th Anniversary (festival catalogue), text by Emma Dexter. Lewes, East Sussex: Glyndebourne, 2009. | |
2008 | Fiona Rae (exhibition catalogue), text by Matthew Collings. London: Timothy Taylor Gallery, 2008. |
History in the Making: A Retrospective of the Turner Prize (exhibition catalogue), text by Kondo Kenichi. Tokyo: Mori Art Museum, 2008. | |
Paixóns Privadas, Visións Públicas (exhibition catalogue), text by Javier Fuentes. Vigo, Spain: Museo de Arte Contemporánea de Vigo, 2008. | |
Rowan, Tiddy. Art in the City: London. London: Quadrille Publishing, 2008. | |
Rowan, Tiddy. Art in the City: Paris. London: Quadrille Publishing, 2008. | |
Toff, Dennis. The Painter RAs: A Guide to the Painter Members of the Royal Academy of Arts with Examples of their Work. London: Unicorn Press, 2008. | |
2007 | Blume, Eugen and Anette Hüsch, eds. Reset: Werke aus der Sammlung Marx (exhibition catalogue), Berlin: Staatliche Museen, 2007. |
Button, Virginia. The Turner Prize. Revised Edition. London: Tate Gallery Publishing, 2007. | |
De leur temps (2) Art contemporain et collections privées en France (exhibition catalogue), text by Philippe Piguet. Grenoble: Musée de Grenoble, 2007. | |
Montagu, Jemima, ed. Open Space: Art in the Public Realm in London 1995–2005. London: Arts Council England and Central London Partnership, 2007. | |
Roe, Sonia, ed. Oil Paintings in Public Ownership in the Government Art Collection. London: the Public Catalogue Foundation, 2007. | |
Woodrow, Bill, ed. Royal Academy Illustrated 2007 (exhibition catalogue), London: Royal Academy of Arts, 2007. | |
2006 | Fiction @ Love (exhibition catalogue), texts by Victoria Lu, Lim Qinyi and Kim Sunhee. Shanghai and Singapore: Museum of Contemporary Art; Singapore Art Museum, 2006. |
Morris, Frances, ed. Tate Modern: The Handbook. Texts by Michael Craig-Martin, Andrew Marr and Sheena Wagstaff. London: Tate Publishing, 2006. | |
1001 Paintings You Must See Before You Die, texts by Geoff Dyer, Stephen Farthing, Jamie Middleton et al. London, UK: Cassell, 2006. | |
New Art on View. London: Scala Publishers, Ltd., 2006. | |
Piktogramme: Die Einsamkeit der Zeichen / Pictograms: The Loneliness of Signs (exhibition catalogue), texts by Marion Ackermann, Pirkko Rathgeber, Theodora Vischer, Hadwig Goez, Cara Schweitzer, Daniela Stöppel, Wolf Tegethoff, Ulrich Wilmes, Georges Didi-Huberman, Tanja Zimmermann. Munich and Berlin:Deutscher Kunstverlag, 2006. | |
Fiona Rae: You are the Young and the Hopeless (exhibition catalogue), text by Dave Hickey. New York: PaceWildenstein, 2006. | |
2005 | Baroque and Neo-Baroque: The Hell of the Beautiful (exhibition catalogue), Salamanca, Spain: DA2 Domus Atrium, 2005. |
Blumenstück Künstlers Glück, Vom Paradiesgärtlein zur Prilblume (exhibition catalogue), texts by Gerhard Finckh, Gerhard Graulich, Alexandra Kolossa, Julia Lenz, Ute Riese. Leverkusen, Germany: Museum Morsbroich, 2005. | |
Colours and Trips (exhibition catalogue), text by Oliver Zybok. Bregenz: Kunstlerhaus Palais Thurn and Taxis, 2005. | |
Fiona Rae: Grotto (exhibition catalogue), text by Ralf Christofori. Cologne: Buchmann Galerie, 2005. | |
Richer, Francesca and Matthew Rosenzweig, eds. No. 1: First Works by 362 Artists. New York: Distributed Arts Publishers, 2005: 304, illustrated. | |
2004 | Fiona Rae: Swag (exhibition catalogue), text by Morgan Falconer. Paris: Galerie Nathalie Obadia, 2004. |
Tate Women Artists, text by Alicia Foster. London: Tate Gallery Publishing, 2004: 237, illustrated. | |
Direkte Malerie / Direct Painting, text by Rolf Lauter, Mannheim, Germany: Kunsthalle Mannheim | |
2003 | Arts Council Collection Acquisitions 1989–2002, (exhibition catalogue), text by Rolf Lauter, Mannheim, Germany: Kunsthalle Mannheim |
A Bigger Splash: Arte Britânica da Tate 1960–2003 (exhibition catalogue), São Paulo: Connects Cultura, 2003. | |
Art at Regent’s Place, text by Andrea Schlieker. London: The British Land Company, 2003. | |
Eliasch, Amanda. British Artists At Work, texts by Gemma de Cruz, Kay Hartenstein-Saatchi and Martin Maloney. New York: Assouline Publishing, 2003. | |
Fiona Rae: Hong Kong Garden (exhibition catalogue), text by Jennifer Higgie. London: Timothy Taylor Gallery, 2003. | |
New Abstract Painting/Painting Abstract Now (exhibition catalogue), text by Ute Riese. Leverkusen, Germany: Museum Morsbroich, 2003. | |
Painting Pictures: Painting and Media in the Digital Age (exhibition catalogue), texts by Annelie Lütgens, Frank Reijnders, Walter Seitter, Knut Ebeling, Ludwig Seyfarth, Raimar Stange, Wolf Jahn, Holger Broeker. Bielefeld: Kerber Verlag, 2003. | |
Talking Pieces: text und bild in der neuen kunst, (exhibition catalogue), text by Ute Riese. Leverkusen, Germany: Museum Morsbroich, 2003. | |
L’ABCdaire de l’Art contemporain, Nathalie Bec (ed.), texts by Catherine Francblin, Damien Sausset and Richard Leydier, Paris, France: Flammarion | |
2002 | Adams, Dennis. Acquisitions 1992–2001. Rochechouart: Musée départemental d’art contemporain de Rochechouart, 2002. |
Fiona Rae (exhibition catalogue), texts by Jean-Pierre Criqui and Simon Wallis. Interview by Simon Wallis.Nîmes, France: Carré d’Art – Musée d’Art Contemporain, 2002. | |
The Rowan Collection: Contemporary British and Irish Art (exhibition catalogue), texts by Virginia Button and Brenda McParland. Dublin: Irish Museum of Modern Art, 2002. | |
2001 | AXA Art: Corporate Collecting Today, texts by Claus-Michael Dill and Klaus Gallwitz. Cologne: AXA Art Versicherung, 2001. |
de Corral, Maria and Josep Vilarasau ed. Catalogo E La Colleccion De Arte Contemporaneo Fundación ‘La Caixa’. Barcelona: Fundación ‘La Caixa’ De Pensiones, 2001. | |
Francis, Mark, Cristina Colomar and Christabel Stewart, eds. Fig-1: 50 Projects in 50 Weeks (exhibition catalogue), interview by Mark Francis. London: fig-1 2000 Ltd. and Spafax Publishing, 2001. | |
Hybrids: International Contemporary Painting (exhibition catalogue), text by Simon Wallis. Liverpool: Tate, 2001. | |
Wilton, Andrew, World of Art: Five Centuries of British Painting From Holbein to Hodgkin, London, UK: Thames and Hudson Ltd | |
2000 | Europe: Different Perspectives in Paintings (exhibition catalogue), Francavilla al Mare, Italy: Museo Michetti, 2000. |
Modern Art, texts by Sam Hunter, John Jacobus, and Daniel Wheeler, New York, USA: Prentice Hall and Harry N.Abrams, Inc. | |
Sinclair, Nicholas, Portraits of Artists, text by Ian Jeffrey and Nicholas Sinclair in conversation with Robin Dance, Aldershot, Hampshire: Lund Humphries, 2000. | |
Understanding Paintings: Themes in Art Explored and Explained, Alexander Sturgis, Hollis Clayson (eds.), London, UK: Mitchell Beazley | |
1999 | ’45–99: A Personal View of British Painting and Sculpture (exhibition catalogue), text by Bryan Robertson. Cambridge: Kettle’s Yard Gallery, 1999. |
Artists. Photographs by Gautier Deblonde, text by Mel Gooding. London: Tate Gallery Publishing, Ltd., 1999. | |
Color Me Blind! Painting in the Age of Computer Games and Comics (exhibition catalogue), text by Ralf Christofori. Stuttgart: Württembergischer Kunstverein, 1999. | |
Fiona Rae (exhibition catalogue), text by Michael Tarantino, Nagoya, Japan: Kohji Ogura Gallery, 1999. | |
Reconciliations: Elizabeth Cooper, Stephen Davis, Fiona Rae, Juan Uslé (exhibition catalogue), Text by Jeffrey Hoffeld, New York: DC Moore Gallery, 1999. | |
Vision: Fifty Years of British Creativity. London: Thames and Hudson, 1999. | |
Young British Art: The Saatchi Decade, texts by Sarah Kent, Richard Cork and Dick Price, London: Booth-Clibborn Editions, 1999 | |
Stallabrass, Julian, High Art Lite: British Art in the 1990s, London and New York: Verso, 1999. | |
1998 | Muller, Brian, ed. UK Maximum Diversity (exhibition catalogue), Austria: Galerie Krinzinger, 1998. |
1997 | Buck, Louisa, Moving Targets: A User’s Guide to British Art Now. London: Tate Gallery Publishing, 1997. |
Button, Virginia, The Turner Prize. London: Tate Gallery Publishing, 1997. | |
Collings, Matthew, Blimey! From Bohemia to Britpop, the London Artworld from Francis Bacon to Damien Hirst. Cambridge, United Kingdom: 21 Publishing, 1997. | |
Confrontation (exhibition catalogue), Paris: Galerie Nathalie Obadia, 1997. | |
Fiona Rae/Gary Hume (exhibition catalogue), Texts by Sarah Kent. London: Saatchi Gallery, 1997. | |
Perret, Catherine, ed. Pratiques Abstraits, Rue Descartes n° 16. Paris: Collège International de Philosophie, Presses Universitaires de France, 1997. | |
Sensation: Young British Artists from The Saatchi Collection (exhibition catalogue), Texts by Brooks Adams, Norman Rosenthal, Richard Shone, Martin Maloney and Lisa Jardine. London: Thames and Hudson in association with the Royal Academy of Arts, 1997. | |
Shand Kydd, Johnnie, Spit Fire: Photographs from the Art World, London, 1996/7. London and New York: Thames and Hudson; Violette Editions, 1997. | |
Treasure Island (exhibition catalogue), Lisbon: Fundação Calouste Gulbenkian, 1997. | |
1996 | About Vision: New British Painting in the 1990s (exhibition catalogue). Includes artist statement. Oxford: Museum of Modern Art, 1996. |
The Berardo Collection, Texts by Sarah Wilson, Marco Livingstone, Ann Hindry, Robert Rosenblum and Alexandre Melo. Sintra, Portugal: Sintra Museum of Art, 1996. | |
Chadwick, Whitney, Women, Art, and Society. 2nd ed., rev. and expanded. London: Thames and Hudson, 1996. | |
Díaz de Rábago, Belén, ed. Nuevas Abstracciones (exhibition catalogue), Texts by Enrique Juncosa, Arthur C. Danto and Demetrio Paparoni. Madrid and Barcelona: Museo Nacional Centro de Arte Reina Sofía; Museu d’Art Contemporani de Barcelona, 1996. | |
Fiona Rae (exhibition catalogue), Text by Richard Shone. Interview by Daniel Richter. Berlin: Contemporary Fine Arts, 1996. | |
Made In London: A Collection of Works by London Based Artists Made in the 1990s. London: Simmons and Simmons, 1996. | |
Morgan, Stuart. ‘Fiona Rae: Playing for Time.’ In What the Butler Saw. Edited by Ian Hunt. London: Durian Publications, 1996. | |
Schmitz, Britta. “Fiona Rae” In Sammlung Marx. Edited by Heiner Bastian. Berlin: Hamburger Bahnhof – Museum für Gegenwart, 1996. | |
The 20th-Century Art Book. London: Phaidon Press, 1996. | |
1995 | Art and Design: British Art – Defining the 90s, London: Academy Editions, 1995. |
Concise Illustrated Catalogue of British Paintings in the Walker Art Gallery and at Sudley, Sandra Penketh (ed.), Liverpool, UK: National Museums & Galleries on Merseyside | |
Fiona Rae (exhibition catalogue), Text by Richard Shone. London: Waddington Galleries, 1995. | |
Des Limites du Tableau: Les Possibles de la Peinture (exhibition catalogue), Texts by Jean-Marc Prévost and Ann Hindry. Rochechouart: Musée Départmental du Rochechouart, 1995. | |
From Here (exhibition catalogue), Text by Andrew Wilson. London: Waddington Galleries and Karsten Schubert, 1995. | |
New Voices (exhibition catalogue), Text by Adrian Searle. [Great Britain]: British Council, 1995. | |
Repicturing Abstraction (exhibition catalogue), Texts by Arthur C. Danto, Richard Waller, H. Ashley Kistler, Chris Gregson and Steven S. High. Richmond, Virginia: Anderson Gallery, Virginia Commonwealth University, 1995. | |
The British Council Collection 1984–1994, Diana Eccles, Barbara Putt (eds.), text by Andrea Rose, London, UK: The British Council | |
1994 | Chance, Choice and Irony (exhibition catalogue), Texts by Tony Godfrey et al. London: Todd Gallery and John Hansard Gallery, 1994. |
Fiona Rae (exhibition catalogue), Text by Emma Dexter. New York: John Good Gallery, 1994. | |
Shark Infested Waters: The Saatchi Collection of British Art in the 90s, Text by Sarah Kent. London: Zwemmer Publishing, 1994. | |
Unbound: Possibilities in Painting, (exhibition catalogue), Text by Adrian Searle. London: Hayward Gallery, The South Bank Centre, 1994. | |
1993 | A Decade of Collecting: Patrons of New Art Gifts 1983–1993, (exhibition catalogue), London: Tate Gallery, 1993. |
Fiona Rae, (exhibition brochure), Text by Emma Dexter. London: Institute of Contemporary Arts, 1993. | |
New Voices, Noves Veus, includes artist statement, UK: British Council, 1993. | |
1992 | British Contemporary Art, 1910–1990: Eighty Years of Collecting (exhibition catalogue), Texts by Alan Bowness et al. London: Herbert Press in association with the Contemporary Art Society, 1992. |
Fiona Rae, (exhibition catalogue), Text by Thomas Kellein. Basel: Kunsthalle Basel, 1992. | |
New Voices: New Works for the British Council Collection, (exhibition catalogue), London: British Council, 1992. | |
1991 | British Art from 1930. (exhibition catalogue), London: Waddington Galleries, 1991. |
Fiona Rae, (exhibition catalogue), Text by Stuart Morgan. London: Waddington Galleries, 1991. | |
John Moores Liverpool Exhibition Seventeen.(exhibition catalogue), Liverpool: National Museums and Galleries on Merseyside; Walker Art Gallery, 1991. | |
La Metafisica della Luce, (exhibition catalogue), Text by Demetrio Paparoni, translated from the Italian by John Stezka. New York: John Good Gallery, 1991. | |
Turner Prize Exhibition 1991: An Exhibition of Work by Shortlisted Artists: Ian Davenport, Anish Kapoor, Fiona Rae [and] Rachel Whiteread, (exhibition catalogue), Text by Sean Rainbird. London: Tate Gallery Publications, 1991. | |
A View of London, (exhibition catalogue), Text by Michael Archer. Salzburg: Salzburger Kunstverein, 1991. | |
Who Framed Modern Art or The Quantitative Life of Roger Rabbit,(exhibition catalogue), Text by TriciaCollins and Richard Milazzo. New York: Sidney Janis Gallery, 1991. | |
1990 | Aperto, (exhibition catalogue), Venice: La Biennale di Venezia, 1990. |
The British Art Show 1990, (exhibition catalogue), Texts by Caroline Collier, Andrew Nairne and David Ward; includes artist statement. London: South Bank Centre, 1990. | |
Contemporary London. Cologne: Nordstern Versicherungen AG, 1990. | |
Fiona Rae, (artist book), Glasgow: Third Eye Centre, 1990. | |
Voorwerk 1, (artist box), Rotterdam: Witte de With, Center for Contemporary Art, 1990. | |
1989 | Promises, promises, (exhibition catalogue), Text by Adrian Searle. London: Serpentine Gallery, 1989. |
1988 | Freeze, (exhibition catalogue), Text by Ian Jeffrey. London: s.n., 1988. |
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